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The palace is striking in the middle of Brighton, for its unique Indo-Islamic exterior. The fanciful interior design, primarily by Frederick Crace and the little-known decorative painter Robert Jones, was heavily influenced by both Chinese and Indian fashion (with Mughal and Islamic architectural elements).
The colourful, neoclassical interior design of this great hall, executed by Giacomo Quarenghi between 1787 and 1795, was lost in the fire of 1837 which gutted much of the palace's interior. Following the fire, Russian architect Vasily Stasov was commissioned to oversee the restoration and rebuilding of the palace. While he retained the ...
The palace chapel, as a consequence of the Duke's death, now obtained even greater importance. The design was altered by the Marlboroughs' friend the Earl of Godolphin, who placed the high altar in defiance of religious convention against the west wall, thus allowing the dominating feature to be the Duke's gargantuan tomb and sarcophagus.
The interior of the palace is in art deco design. [6] The interior decoration is credited to J.S. Norblin, a refugee from Poland, who created the frescoes in the throne room on the east wing. An architectural historian commented that "it is the finest example of Indo-deco. The forms are crisp and precise". [8]
Built in the 17th century by one of the greatest Baroque architects, Tylman van Gameren, the building belongs to one of the most renowned of Poland's aristocratic residences and serves as a museum of interior design of palace residences from the 17th to the 19th century, based on the surviving furniture and collections, featuring portraits of ...
The design was made by architects Gastón Lelarge, a French-born former pupil of Charles Garnier, and Julián Lombana. In 1980, the structure was rededicated after the construction of additions. The building also houses works of art and furnishings from different periods of the history of art.
The interior layout of Rococo palaces often incorporated a multi-level design, typically featuring two, three, or four floors, each consisting of two rooms across its width. Rather than employing hallways or corridors for room access, these palaces were designed around one or more grand staircases, in addition to service stairwells and lifts ...
Floor plan of Palazzo Farnese "The most imposing Italian palace of the 16th century", according to Sir Banister Fletcher, [1] this palazzo was designed by Antonio da Sangallo the Younger, one of Bramante's assistants in the design of St. Peter's and an important Renaissance architect in his own right.