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The swan was "cemented in the imagination as a creature of romance for a whole generation of impressionable working class suburban kids". The anthropomorphic projection may not have been entirely random; [2] swans are believed to take a mate for life, and the graceful white birds might symbolize monogamous felicity. [2]
Depictions of swans (genus Cygnus) in art. The swans' closest relatives include the geese and ducks . Swans are grouped with the closely related geese in the subfamily Anserinae where they form the tribe Cygnini .
The Northern Hemisphere species of swan have pure white plumage, but the Southern Hemisphere species are mixed black and white. The Australian black swan ( Cygnus atratus ) is completely black except for the white flight feathers on its wings; the chicks of black swans are light grey.
Anonymous, possibly Fernando Yanez de la Almedina, Leda and the Swan. Oil on panel, 51 5/8 x 30 inches (131.1 x 76.2 cm). Philadelphia Museum of Art, USA (previously at John G. Johnson Collection, 1917) Giampietrino, Leda and the Swan, from the collection of the Marquis of Hastings; Giampietrino, Venus and Cupid, private collection, Milan
The Roman satirist Juvenal wrote in AD 82 of rara avis in terris nigroque simillima cygno ("a rare bird in the lands, and very like a black swan"). [6] He meant something whose rarity would compare with that of a black swan, or in other words, as a black swan was not thought to exist, neither did the supposed characteristics of the "rare bird" with which it was being compared.
Woodcut by Robert Elliot Bewick of the swan named in memory of his father by William Yarrell. 1847 edition of Thomas Bewick's A History of British Birds.. C. columbianus is the smallest of the Holarctic swans, at 115–150 cm (45–59 in) in length, 168–211 cm (66–83 in) in wingspan and a weight range of 3.4–9.6 kg (7.5–21.2 lb).
Dalí used this method to bring forth the hallucinatory forms, double images and visual illusions that filled his paintings during the 1930s, most likely his most creative decade. [ 1 ] As with the earlier Metamorphosis of Narcissus , Swans Reflecting Elephants uses the reflection in a lake to create the double image seen in the painting.
Leda and the Swan (known in Italian as Leda) is an oil on canvas painting from 1530–31 by the Italian painter Correggio, now in the Gemäldegalerie in Berlin. [1] It shows three scenes of Leda's seduction by Jupiter who has taken the form of a swan. Their first meeting is shown on the right hand side and their lovemaking in the centre, where ...