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Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
Example of numeric vihuela tablature from the book "Orphenica Lyra" by Miguel de Fuenllana (1554). Red numerals (original) mark the vocal part. Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches.
Malagueña" (Spanish pronunciation: [malaˈɣeɲa], from Málaga) is a song by Cuban composer Ernesto Lecuona. It was originally the sixth movement of Lecuona's Suite Andalucía (1933), to which he added lyrics in Spanish.
Old Spanish (roman, romançe, romaz; [3] Spanish: español medieval), also known as Old Castilian or Medieval Spanish, refers to the varieties of Ibero-Romance spoken predominantly in Castile and environs during the Middle Ages. The earliest, longest, and most famous literary composition in Old Spanish is the Cantar de mio Cid (c. 1140–1207).
The Cambridge Introduction to Spanish Poetry: Spain & Spanish America. (2002). Linda Fish Compton. Andalusian Lyric poetry and Old Spanish Love Songs (1976) (includes translations of some of the medieval anthology of love poems, compiled by Ibn Sana al-Mulk, the Dar al-tiraz). Emilio Garcia Gomez. (Ed.)
De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días , Walk to Emmaus , and Kairos Prison Ministry .
Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]
"Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish. [3] Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. [4] French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in ...
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