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George Orwell makes a bitterly ironic use of the "light and darkness" topos in his Nineteen Eighty Four. In the early part of the book the protagonist gets a promise that "We will meet in the place where there is no darkness" – which he interprets as referring to a place where the oppressive totalitarian state does not rule.
In Mandaeism, ʿUr (Classical Mandaic: ࡏࡅࡓ) is the king (Classical Mandaic: ࡌࡀࡋࡊࡀ, romanized: malka) of the World of Darkness (alma ḏ-hšuka) or underworld. He is the son of Ruha, the queen of the underworld, [1] and her brother Gaf (also spelled Gap), one of the giants in the World of Darkness described in book 5 of the Ginza ...
This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [ 1 ]
Several attempts to define the neologism [3] grimdark have been made: . Adam Roberts described it as fiction "where nobody is honourable and Might is Right", and as "the standard way of referring to fantasies that turn their backs on the more uplifting, Pre-Raphaelite visions of idealized medievaliana, and instead stress how nasty, brutish, short and, er, dark life back then 'really' was".
The following is a list of miscellaneous books—both real and fictitious—appearing in the Cthulhu Mythos. Along with the use of arcane literature, texts which innately possess supernatural powers or effects, there is also a strong tradition of fictional works or fictionalizing real works in the Mythos.
Gothic literature is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals.
Dark Romanticism is a literary sub-genre of Romanticism, reflecting popular fascination with the irrational, the demonic and the grotesque. Often conflated with Gothic fiction , it has shadowed the euphoric Romantic movement ever since its 18th-century beginnings.
Darkness Visible is a 1979 novel by British author William Golding. The book won the James Tait Black Memorial Prize. [2] The title comes from Paradise Lost, from the line, "No light, but rather darkness visible". [3] The novel narrates a struggle between good and evil, using naïveté, sexuality and spirituality throughout.