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The Chandimangal (Bengali: চণ্ডীমঙ্গল) is an important subgenre of mangalkavya, the most significant genre of medieval Bengali literature.The texts belonging to this subgenre eulogize Chandi or Abhaya, primarily a folk goddess, but subsequently identified with Puranic goddess Chandi.
Mangala sutras are made in a variety of designs. The common ones are the Lakshmi tali worn by the Telugus of Telangana and Andhra Pradesh, which contain images of Lakshmi, the goddess of auspiciousness, ela tali or minnu worn by the Malayalees of Kerala, and the Kumbha tali worn by the Tamils of the Kshatriya caste in Tamil Nadu.
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The first stanza of the Sikh ardās, an invocation to God and the nine Gurus preceding Gobind Singh, is from Chandi Di Var. [12] [5] The first canto from Chandi Di Var is a mandatory part of an ardas that is a part of worship service in a Gurdwara (Sikh temple), daily rituals such as the opening the Guru Granth Sahib for prakash (morning light ...
Chandi Charitar Ukti Bilas is divided into eight cantos, and consists of 233 couplets and quatrains, [9] [3] employing seven different poetic metres, with Savaiya and Dohara predominating. The source of the story mentioned is Durga Saptasati , which is a portion of the Markandeya Purana , from chapters 81 to 94.
Chandi (Sanskrit: चण्डी, IAST: Caṇḍī) or Chandika (IAST: Caṇḍika) is a Hindu deity. Chandika is another form of Mahadevi . She shares similarities with the Goddess Chamunda , not only in name but also in attributes and iconography.
Chandi Charitar II or Chandi Charitar Duja or Ath Chandi Charitar Likhyate (Punjabi: ਚੰਡੀ ਚਰਿਤ੍ਰ ਦੂਜਾ, lit. 'The Story of Chandi (2)' [ 1 ] ), is the 5th chapter of the Dasam Granth , whose authorship is generally attributed to Guru Gobind Singh .
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