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Akbar Golpayegani (Persian: اکبر_گلپایگانی; 30 January 1934 – 4 November 2023), also known as Golpa (Persian: گلپا), was an Iranian traditional singer. Life and career [ edit ]
A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
Iranian folk music refers to the folk music transmitted through generations among the people of Iran, often consisting of tunes that exist in numerous variants. The variance of the folk music of Iran has often been stressed, in accordance to the cultural diversity of the country's ethnic and regional groups . [ 1 ]
The Golha (Persian: گلها, romanized: Flowers) was a radio broadcast on an Iranian government-owned radio station Radio Tehran, active from 1956 to 1979. [1] [2] The history of the broadcast is supported by The Golha Project. There were 1,578 programs, consisting of approximately 847 hours of music and poetry. [1]
Homeyra was able to establish a new style (Homeraism) in Iranian traditional music and classical music of the 1940s by presenting a work called "Sabram Ata Kon" and give a special freshness to Iranian traditional music. After the Iranian Revolution, Homeyra was nicknamed the "Credit of Iranian Music" due to her artistic status. [1] [3]
This is a list of notable Iranian singers that have entered the industry, currently working or have left the industry. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Later, the arrival of new western influences, such as the use of the guitar and other western instruments, marked a turning point in Iran's popular music by the 1950s. [18] Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments.
His father, Karim Khan Banān ol-Dowleh (son of Mohammad-Taqi Mirza Fazlollah Khan Mostowfi Nuri) was an admirer of traditional music. [1] His mother was related to the ruling Qajar dynasty of Iran; she was the daughter of Mohammad Taqi Mirza Rokn ed-Dowleh, a brother of Naser al-Din Shah Qajar (r. 1848–1896). [1]