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The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the convenient accommodation of skylights for the cabinets. [4] Even the Neo-Renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type common in the early 19th century. It is closely associated with ...
Designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The $120 million, 22,000-square-meter [1] building took a decade to finish because of bureaucratic objections to design and cost, which were ultimately bridged by private initiative and financing. [2]
The Alte Pinakothek's rather monolithic structure contains a treasure trove of the works of European masters between the 14th and 18th centuries. The collection reflects the eclectic tastes of the Wittelsbachs over four centuries, and is sorted by schools over two sprawling floors.
Wood, 158.4 × 120.3 cm Alte Pinakothek, Munich His rather atypical Battle of Issus (or of Alexander ) of 1529 was commissioned by William IV, Duke of Bavaria as part of a series of eight historical battle scenes destined to hang in the Residenz in Munich.
The Neue Pinakothek (German: [ˈnɔʏ.ə pinakoˈteːk], New Pinacotheca) is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world.
Metric prefixes; Text Symbol Factor or; yotta Y 10 24: 1 000 000 000 000 000 000 000 000: zetta Z 10 21: 1 000 000 000 000 000 000 000: exa E 10 18: 1 000 000 000 000 000 000: peta P 10 15: 1 000 000 000 000 000: tera T
102.3 x 81.3 cm: private collection, on loan to Frans Hals museum: Haarlem Portrait of Isaac Massa with a large floppy hat: 1661–1663: 79.5 × 66.5 cm: 219: Museum Schloss Wilhelmshöhe: Kassel, DE Portrait of Willem Croes (d.1666) 1662–1666: 47.1 × 34.4 cm: 8402: Alte Pinakothek: Munich Portrait of a Seated Man: 1660–1666: 69 x 60.5 cm ...
A haunting portrait by Titian from 1548 at Munich's Alte Pinakothek reveals the torment of an eminence who cannot reach spiritual fulfillment or manipulate the, to him, ultimately secondary levers of hegemonic rule." [2] During his stay in Augsburg, Titian painted two portraits of Charles V: this seated portrait and the equestrian portrait.