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The song "Respect Yourself" was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994. In 1999, The Staple Singers were inducted into the Rock and Roll Hall of Fame, where they performed "Respect Yourself" and "I'll Take You There". Pops Staples died of complications from a concussion suffered in December 2000. [16]
Freedom Highway is a 1965 album by The Staple Singers (Epic LN24163/ BN26163). [1] [2] [3] The title song was written for the 1965 Selma to Montgomery march for voting rights and reflects not only on the actions of the activists but what suffering they had endured to get there, even referencing the murder of Emmett Till at Tallahatchie River.
Included on the group's 1972 album Be Altitude: Respect Yourself, "I'll Take You There" features lead singer Mavis Staples inviting her listeners to seek Heaven.The song is almost completely a call-and-response chorus, with the introduction and bassline being lifted—uncredited—from "The Liquidator", a 1969 reggae hit written by Harry Johnson and performed by the Harry J Allstars.
American singer Mavis Staples was born in Chicago, Illinois on July 10, 1939. Her initial recordings were as a member of her family group, the Staple Singers.Led by her father Roebuck "Pops" Staples the Staple Singers were major artists in gospel and soul music from 1957 to 1969.
Staple released a full-length album and EP independently before signing to Flicker Records in 2004. They released their debut album, Staple, in 2004, followed by a second, Of Truth and Reconciliation, in 2005.
Robert June Ward Sr. (October 15, 1938 [1] – December 25, 2008) [2] was an American blues and soul guitarist.He was known for founding the Ohio Untouchables, the band that later would become the Ohio Players.
The song had resonance for a burgeoning self-empowerment movement for African-Americans during the post-civil-rights movement of the 1970s. [2] The Staple Singers' long version featured Roebuck "Pops" Staples, nearly 57 at the time, on lead for more than two minutes. [citation needed]
[3] The New York Times stated that Staples "remains a fine, fervent, huskily sensitive singer, and most of this disk does her justice." [4] Cashbox published a review of the album in the issue dated July 28, 1979, which said, "Mavis gave the Staple Singers that distinct, gritty vocal sound, and on Oh What a Feeling she proves just how versatile ...