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Logo of Blue Note Records. The album covers of Blue Note Records, an American jazz record label, are recognized for their distinctive designs. Many feature a combination of bold colors, experimental typography, and candid photographs of the album's musicians, and have been described as belonging to the Bauhaus and Swiss Style movements.
A graphic design technique based on grid-work that began in the 19th century became inspiration for modifying the foundational course at the Basel School of Design in 1908. Shortly thereafter, in 1918 Ernst Keller became a professor at the Kunstgewerbeschule Zürich and began developing a graphic design and typography course. He did not teach a ...
Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below.
[7] [8] [9] Writing in The Typography of Press Advertisement (1956), printer Kenneth Day commented that the family "has a personality sometimes lacking in the condensed forms of the contemporary sans cuttings of the last thirty years." [10] Jeremy Tankard has described them as the "most idiosyncratic of designs". [11] Not all versions have been ...
Reversing type (also reversing, knocking-out, reversed type) is a method of typographic printing with black or colored inks, in which the entire surface is printed, except for text elements. [1] Reversing is one of the special cases of printing on a color solid, when the color of the solid is black or colored, and the color of the letters is white.
His style characterised by the use of typographic ornaments, usually in black-and-white. His works were reproduced frequently in Das Zelt, journal of the Ehmcke-Kreises. Examples of his design work are held in the Victoria and Albert Museum [4] and the Los Angeles County Museum of Art. [5]
The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers.
Typeface remains the groundwork for design concepts. The hallmark of early modern typography is the sans-serif typeface. "Because of its simplicity, the even weight of its lines, and its nicely balanced proportions, sans serif forms pleasing and easily distinguished word patterns — a most important element in legibility and easy reading."
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