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The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), [2] where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the ...
His family agreed to let him study painting, but only if he also studied medicine. [1] Bazille began studying medicine in 1859, and moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his ...
Mary Agnes plein-air painting at Carmel, Carmel Beach, California, circa 1920s. "The two Yerkes oils in particular, [Crocker Art Museum], are wonderful examples of California Impressionism, and by a woman, which makes them even more rare." [11] – Scott A. Shields, Ph.D., Associate Director / Chief Curator, Crocker Art Museum.
Mary Agnes Yerkes, California Impressionist painter, (1886–1989)."Plein-Air painting at Carmel’’, Carmel Beach, CA, circa 1920s. The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century artists who worked out of doors (en plein air), directly from nature in California, United States.
Plein-air painting, in its strictest sense, is the practice of painting landscape pictures out-of-doors; more loosely, the achievement of an intense impression of the open air (French: plein air) in a landscape painting.
In her book "Plein Air in Russian Painting of the 19th Century", art historian Olga Lyaskovskaya wrote that Levitan's March, like Vasily Polenov's Moscow Courtyard, could serve as an example of plein air painting. Lyaskovskaya praised the accuracy of the relations between sky, earth and trees, and the precision with which "the reflections in ...
An example of his White Mountain subjects is Mount Lafayette in Winter. Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works. In plein air means to “paint outdoors and directly from the landscape”, [5] which Hill incorporated into many of his paintings. Hill ...
Fattori's mature works represent a synthesis between the natural light of painting en plein air—painting with vivid but composed spots (macchia)—and the traditional method of composing large paintings in the studio, from sketches. During the period 1861–67 he stayed mainly at Livorno, to nurse his wife who had contracted tuberculosis.
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