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Nigor Mortis is the seventh studio album by Sananda Maitreya (formerly Terence Trent D'Arby). It is available as MP3 files and on CD format, [ 1 ] exclusively from his on-line web store. [ 2 ] The CD version is housed in a DVD keep case with an enclosed eight page photo booklet.
The Gilt-bronze Maitreya in Meditation is a gilt-bronze statue of Maitreya seated in meditation and is one of the best known and most highly regarded Korean Buddhist sculptures. [1] Now part of the collection of the National Museum of Korea, it was designated as the 78th national treasure of Korea. [2] The statue is 83.2 centimeters in height.
The Gilt-bronze Maitreya in Meditation is a gilt-bronze statue of what is believed to be the Maitreya, the future Buddha, in a semi-seated contemplative pose. It is commonly referred to as the Contemplative Bodhisattva, Pensive Bodhisattva, or Gilt-Bronze Seated Maitreya in English. In Korean it is frequently referred to as pan'gasayusang.
Budai [a] is a nickname given to the historical Chinese monk Qieci (Chinese: 契此; pinyin: qiècǐ) in the Later Liang Dynasty, who is often identified with and venerated as the future or Maitreya Buddha in Chan Buddhism and Buddhist scripture.
The Buddha Maitreya is a statue of Maitreya dated to 5th century China. Made from gilt bronze, the state is the largest early gilt-bronze Chinese sculpture. The statue is in the collection of the Metropolitan Museum of Art. [1]
Mulbekh Monastery or Mulbekh Gompa, at 11,495 ft from sea level and 656 ft uphill from road level, consists of a 9 m (30 ft) tall Maitreya Buddha statue, 1400 CE kharosti language edicts on the hill, and two 800-year-old gompas: Serdung gompa of Drukpa lineage and Rgaldan-se gompa of Gelugpa lineage of Buddhism.
The Maitreya Project is an international organisation, operating since 1990, [1] which intends to construct statues of Maitreya Buddha in India and perhaps elsewhere. Initial plans were for a 152-metre (500 ft) colossal statue, to be built in either Kushinagar or Bodhgaya .
In Indian art, especially ancient and medieval, the pose is often used for female figures, but in the art of Java these are very rare, and restricted to figures closely following Indian models. This restriction may well be because the normal female dress (though not worn by deities in art) made the pose impossible for women.