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For women's dress, the day-to-day outfit of the skirt and jacket style were practical and tactful, recalling the working-class woman. [3] Women's fashions followed classical ideals, and stiffly boned stays were abandoned in favor of softer, less boned corsets. [4] This natural figure was emphasized by being able to see the body beneath the ...
The most formal evening dress remained a dark tail coat and trousers with a dark or light waistcoat. Evening wear was worn with a white bow tie and a shirt with a winged collar. The less formal dinner jacket or tuxedo, which featured a shawl collar with silk or satin facings, now generally had a single button. Dinner jackets, worn with a white ...
Jazz music sparked the need to dance, and dance sparked the need for new clothing, especially for women to easily dance without being constricted. Dances such as the Charleston and the Black Bottom in particular created a need for a revival in women's evening wear due to the dynamic and lively manner of these jazz dances. Dress and skirt hems ...
Evening wear was worn with a white bow tie and a shirt with a winged collar. The less formal dinner jacket or tuxedo, which featured a shawl collar with silk or satin facings, now generally had a single button. Dinner jackets were appropriate formal wear when "dressing for dinner" at home or at a men's club.
Frock coats were required for more formal daytime dress. Formal evening dress remained a dark tail coat and trousers. The coat now fastened lower on the chest and had wider lapels. A new fashion was a dark rather than white waistcoat. Evening wear was worn with a white bow tie and a shirt with the new winged collar.
Morning dress (left) with cape-collared jacket and evening gown (right). Dresses of August 1844 show detail on lower sleeves. The dress on the left is an evening style. African-American preacher Juliann Jane Tillman, 1844.
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