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Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. [1] They represent the best known and most interpreted blues songs that are seen as standing the test of time. [2] Blues standards come from different eras and styles, such as ragtime - vaudeville, Delta and other ...
The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
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Open E tuning is a tuning for guitar: low to high, E-B-E-G ♯ -B-E. [1] Compared to standard tuning, two strings are two semitones higher and one string is one semitone higher. The intervals are identical to those found in open D tuning. In fact, it is common for players to keep their guitar tuned to open d and place a capo over the second fret.
"Rollin' and Tumblin'" (or "Roll and Tumble Blues") is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. [1] Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters . [ 2 ]
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
All Blues. " All Blues " is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6. 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G ...
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