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Scaramouche, Op. 71, is a tragic ballet-pantomime in two acts—comprising 21 scenes—written from 1912 to 1913 by the Finnish composer Jean Sibelius.The project, which was a collaboration with the Danish playwright Poul Knudsen, caused Sibelius great anguish—primarily because he had not understood that, when signing the commissioning contract, he was committing himself to the composition ...
Darius Milhaud (French: [daʁjys mijo]; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six —also known as The Group of Six —and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality.
Scaramouche (1912-13) Op. 71, is a two-act tragic ballet-pantomime, comprising 21 numbers, written by the Finnish composer Jean Sibelius. Scaramouche (1952), directed by George Sidney with Stewart Granger, Janet Leigh, Eleanor Parker, and Mel Ferrer. The Adventures of Scaramouche (1963), a French-Italian-Spanish feature film, directed by ...
Music video. "Bohemian Rhapsody" on YouTube. " Bohemian Rhapsody " is a song by the British rock band Queen, released as the lead single from their fourth studio album, A Night at the Opera (1975). Written by lead singer Freddie Mercury, the song is a six-minute suite, [ 4 ] notable for its lack of a refraining chorus and consisting of several ...
Cyd Charisse (born Tula Ellice Finklea; March 8, 1922 – June 17, 2008) [1][2] was an American dancer and actress. After recovering from polio as a child and studying ballet, Charisse entered films in the 1940s. Her roles usually featured her abilities as a dancer, and she was paired with Fred Astaire and Gene Kelly; her films include Singin ...
The Callot etchings of the Balli di Sfessania (1611) are most widely considered capricci rather than actual depictions of a commedia dance form, or typical masks. While these are often reproduced in large formats, it is important to note that the actual prints measured about 2×3 inches.
Le quatorze juillet, Op. 153 (1936); Introduction and Marche funèbre for finale of Act 1 only; play by Romain Rolland. Le conquérant, Op. 154 (1936); for chamber orchestra; play by Jean Mistler. Amal, ou La lettre du roi, Op. 156 (1936); for piano, violin and clarinet; play by Rabindranath Tagore and André Gide.
The music in Scaramouche is taken from incidental music that Milhaud composed for two plays. The first and third movements are inspired by themes composed for Henri Pascar's production of an adaptation of Molière's Le Médecin volant (The Flying Doctor); [1] [2] [3] it is from here that Scaramouche gets its name, as Pascar's group of players was named the Théatre Scaramouche.