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  2. Scagliola - Wikipedia

    en.wikipedia.org/wiki/Scagliola

    Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture. The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1] The scagliola technique came into fashion in 17th-century [2] Tuscany as an effective ...

  3. Carrara marble - Wikipedia

    en.wikipedia.org/wiki/Carrara_marble

    Carrara marble, or Luna marble (marmor lunense) to the Romans, is a type of white or blue-grey marble popular for use in sculpture and building decor. It has been quarried since Roman times in the mountains just outside the city of Carrara in the province of Massa and Carrara in the Lunigiana , the northernmost tip of modern-day Tuscany , Italy.

  4. Engineered stone - Wikipedia

    en.wikipedia.org/wiki/Engineered_stone

    Engineered stone. Engineered stone is a composite material made of crushed stone bound together by an adhesive to create a solid surface. The adhesive is most commonly polymer resin, with some newer versions using cement mix. This category includes engineered quartz (SiO 2), polymer concrete and engineered marble stone. [1]

  5. Ancient Roman sarcophagi - Wikipedia

    en.wikipedia.org/wiki/Ancient_Roman_sarcophagi

    Ancient Roman sarcophagi. The Ludovisi sarcophagus, an example of the battle scenes favored during the Crisis of the Third Century: the "writhing and highly emotive" Romans and Goths fill the surface in a packed, anti- classical composition [1] 3rd-century sarcophagus depicting the Labours of Hercules, a popular subject for sarcophagi.

  6. Kamala Harris gains momentum in key Sun Belt states, cuts ...

    www.aol.com/kamala-harris-gains-momentum-key...

    Vice President Kamala Harris is gaining momentum in key Sun Belt states, according to a new New York Times poll.

  7. History of the nude in art - Wikipedia

    en.wikipedia.org/wiki/History_of_the_nude_in_art

    A concept of beauty was pursued based on the imitation of the natural, but idealized with the incorporation of a subjective vision that reflected the harmony of body and soul, equating beauty with goodness (καλοκαγαθία, kalokagathía). [12] Marble statue of a kouros (c. 590 BC–580 BC), Metropolitan Museum of Art, New York City.

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