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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Early life. Born in 1841, the son of a Scottish farmer, in the Gorbals district of Glasgow, MacDonald was trained as a glass painter in London.By 1863, he was a partner in the London firm of McMillan & McDonald of Camden Town, furnishing stained glass for the New Stepney Meetinghouse (destroyed) in the Tower Hamlets district of East London.
The partners were John Richard Clayton (1827–1913) and Alfred Bell (1832–1895). The company was founded in 1855 and continued until 1993. Their windows are found throughout the United Kingdom, in the United States, Canada, Australia and New Zealand. Clayton and Bell's commercial success was due to the high demand for stained-glass windows ...
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
The primary aim of conservation is to slow the rate of deterioration, caused by various factors, to the point where the loss of significance, such as historic information and/or aesthetic value can be kept to a minimum (Pye 2001, Ch. 5). However, in the case of stained glass, these efforts are complicated by the nature of the medium itself.
Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator. He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1] His glass is distinguished by the finesse of its drawing and his use of rich colours, and an innovative integration of ...
Came glasswork is the process of joining cut pieces of art glass through the use of came strips or foil into picturesque designs in a framework of soldered metal. Final products include a wide range of glasswork, including stained glass and lead light pieces. Came is made of different metals, such as lead, zinc, brass and copper.
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