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The complete recordings of Bach's cantatas are accompanied by liner notes from musicians and musicologists; John Eliot Gardiner commented on his Bach Cantata Pilgrimage, Tadashi Isoyama wrote for Masaaki Suzuki, and Christoph Wolff for Ton Koopman. Amati-Camperi, Alexandra (2005). "Notes: Bach B Minor Mass". San Francisco Bach Choir.
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
The Bach cantatas project of Ton Koopman was the first complete recording of all the cantatas, including the 21 secular cantatas. [citation needed] Koopman conducted the Amsterdam Baroque Orchestra & Choir and guest solo singers. The project began in 1995 and was completed in 2005 on 67 CDs. It was the second recording of the 193 sacred ...
Many are known to be lost. Bach composed both church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and secular cantatas. Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt.
Gottes Zeit ist die allerbeste Zeit (God's time is the very best time), [1] BWV 106, [a] also known as Actus tragicus, is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral. The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain.
Bach performed the cantata again on 10 October 1723 in his first year in Leipzig in a revised version, including a corno da tirarsi, a baroque wind instrument mentioned only in Bach's music and thought to have been similar to the slide trumpet (tromba da tirarsi). Bach's score is lost, and some parts seem to be missing as well.
Bach scored the cantata for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of two tromba da tirarsi, three oboes, two violins, viola and basso continuo. Schop's chorale melody appears in the movements with the original text, the opening chorale fantasia and the (identical) four-part harmonisation closing the cantata ...
Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) [1] is the title of two church cantatas by Johann Sebastian Bach.He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.