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[5] Aaron Channon of Paste gave the episode an 8.5 out of 10 and wrote, "What results is a Thanksgiving special fully in the style and personality that Brooklyn Nine-Nine has established—loud, awkward, a little gross but very funny — while using just enough schmaltz to build the audience's love for the characters even more. Holt breaks out ...
Multiple members of the cast appeared on the episode of Late Night with Seth Meyers airing the night of the episodes' release. [7] In the United Kingdom, Channel 4's digital network E4 showed the last two episodes back-to-back on June 8, 2022 [ 8 ] [ 9 ] alongside a documentary called Goodbye Brooklyn Nine Nine .
The 99 is a 2011–2012 animated series directed by Dave Osborne and based on the comic book series of the same name created by Naif Al-Mutawa. The series was planned to air on the TV channel The Hub in the United States, but didn't make it due to controversy.
This is a division that pops up in most episodes, and while it works, the show could benefit from some more formal experimentation." [ 4 ] Allie Pape from Vulture gave the show a 3 star rating out of 5 and wrote, "Boyle and Peralta's ride-or-die friendship is one of the bedrocks of Brooklyn Nine-Nine , so it makes sense that the show would ...
"Lights Out" is the 13th episode and season finale of the seventh season of the American television police sitcom series Brooklyn Nine-Nine, and the 143rd overall episode of the series. The episode was written by series co-creator Dan Goor and executive producer Luke Del Tredici and directed by Goor.
IN FOCUS: As the long-running sci-fi series celebrates 60 years on the BBC, Isobel Lewis explores the quest to locate the 97 ‘missing’ episodes seemingly lost to the past
"The Vulture" received positive reviews from critics. Roth Cornet of IGN gave the episode a "great" 8.0 out of 10 and wrote, "'The Vulture' is the strongest Brooklyn Nine-Nine episode to date. Funny, sharp, and a great use of the characters as a whole, let's hope that this entry is an indication of what's to come on this freshman series." [3]
Alan Sepinwall of Uproxx wrote, "But if 'Safe House' was a familiar type of Brooklyn episode, it was an incredibly well-executed and funny example of that type, layering one ridiculous idea on top of another and managing to give most of the ensemble at least one good spotlight moment even as the bulk of the episode remained focused on Jake ...