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One Drop drum pattern, half-time variant [3] [1] [5] Play ⓘ.Also typical ska pattern. [4]One drop rhythm is a reggae style drum beat.. Popularized by Carlton Barrett, long-time drummer of Bob Marley and the Wailers, [6] the creator is disputed, and it has been attributed to drummers including Barrett, [7] [8] and his brother Aston, [9] and Winston Grennan.
For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove —a lick that 'fills in the gaps' of the music and/or signals the end of a phrase.
"Burru" consists of alternations of a beat made by one drummer, and another beat by another drummer, like a conversation between two or more people: this pattern is named call and response, [2] and can be observed in almost all African-rooted music, such as the first Afro-American music genres like blues and gospel, among others.
"One Drop" is a 1979 Bob Marley song from the album Survival (1979) notable for exemplifying the one drop rhythm, one of the three main reggae drum rhythms, as performed by The Wailers' drummer Carlton Barrett. The song uses Marley's most militantly Rastafarian lyrics. [1] "In 'One Drop,' Marley asserts that he does not want 'devil philosophy ...
Jenn shows Chats a steel drum from Jamaica and uses it to play reggae music. Karla pretends to play a percussive drum beat with different parts of her body. Kimee wears ankle bells and finger cymbals to dance to Indian music. Karla pretends to be a clapper inside a bell. Curtis plays a tiktiri from India to summon a snake from inside a basket.
Reggaestep (portmanteau of reggae and dubstep) is a fusion genre of reggae music and dubstep that gained popularity online in the early 2010s, particularly on SoundCloud. [1] Reggaestep typically has similar drum samples as those used in reggae; however, the timing of these drums corresponds with the typical syncopation of drums in dubstep .
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. [2] It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. [3]