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One Drop drum pattern, half-time variant [3] [1] [5] Play ⓘ.Also typical ska pattern. [4]One drop rhythm is a reggae style drum beat.. Popularized by Carlton Barrett, long-time drummer of Bob Marley and the Wailers, [6] the creator is disputed, and it has been attributed to drummers including Barrett, [7] [8] and his brother Aston, [9] and Winston Grennan.
"One Drop" is a 1979 Bob Marley song from the album Survival (1979) notable for exemplifying the one drop rhythm, one of the three main reggae drum rhythms, as performed by The Wailers' drummer Carlton Barrett. The song uses Marley's most militantly Rastafarian lyrics. [1] "In 'One Drop,' Marley asserts that he does not want 'devil philosophy ...
For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove —a lick that 'fills in the gaps' of the music and/or signals the end of a phrase.
Reggae fusion is a mixture of reggae or dancehall with elements of other genres, such as hip hop, R&B, jazz, rock, drum and bass, punk or polka. [12] Although artists have been mixing reggae with other genres from as early as the early 1970s, it was not until the late 1990s when the term was coined.
Reggaestep (portmanteau of reggae and dubstep) is a fusion genre of reggae music and dubstep that gained popularity online in the early 2010s, particularly on SoundCloud. [1] Reggaestep typically has similar drum samples as those used in reggae; however, the timing of these drums corresponds with the typical syncopation of drums in dubstep .
Thunder: It is a double-headed bass drum, played with a mallet. The strokes are an open tone on 1 and a dampened stroke on 3. Occasionally, the thunder player will syncopate the rhythm. It is typically held in the lap and beaten with a padded stick (a tennis ball is often used). Funde: The funde is the middle drum. It maintains the rhythms, on ...
"Burru" consists of alternations of a beat made by one drummer, and another beat by another drummer, like a conversation between two or more people: this pattern is named call and response, [2] and can be observed in almost all African-rooted music, such as the first Afro-American music genres like blues and gospel, among others.
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. [2] It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. [3]