Search results
Results from the WOW.Com Content Network
The chromatic expansion of tonality which characterizes much of nineteenth century music is illustrated in miniature by the substitution of a chromatic harmony for an expected diatonic harmony. This technique resembles the deceptive cadence, which involves the substitution of another diatonic chord for the expected diatonic goal harmony. [9]...
The term chromatic inflection (alternatively spelt inflexion) is used in two senses: Alteration of a note that makes it (or the harmony that includes it) chromatic rather than diatonic. [36] Melodic movement between a diatonic note and a chromatically altered variant (from C to C ♯ in G major, or vice versa, for example). [37]
A chromatic nonharmonic tone is a nonharmonic tone that is chromatic, ... The example below shows chromatic nonharmonic tones ... Tonal Harmony (3rd ed.). Holt ...
A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).
The following example is in C major. The lowest part is a "lament bass" that descends from the tonic to the dominant using chromatic passing tones before returning at the end up to the tonic in a perfect cadence. The upper voice moves in the opposite direction from the dominant note up to the tonic.
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
The harmonious chromatic number χ H (G) of a graph G is the minimum number of colors needed for any harmonious coloring of G. Every graph has a harmonious coloring, since it suffices to assign every vertex a distinct color; thus χ H ( G ) ≤ | V( G ) | .
In jazz harmony, chromatic alteration is either the addition of notes not in the scale or expansion of a [chord] progression by adding extra non-diatonic chords. [4] For example, "A C major scale with an added D ♯ note, for instance, is a chromatically altered scale" while, "one bar of C maj7 moving to F maj7 in the next bar can be ...