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Lisa Lynne is a Celtic harpist, a composer and new-age recording artist. She is a self-proclaimed multi-instrumentalist who has "spent the last eighteen years pursuing her passion for the Celtic harp." Lynne released her first solo albums, starting in 1992, as Lisa Franco on the German label Innovative Communication.
A harp guitar must have at least one unfretted string lying off the main fretboard, typically played as an open string. This family consists of many varieties of instrument configurations. Most readily identified are American harp guitars with either hollow arms, double necks or harp-like frames for supporting extra bass strings, and European ...
In this position the left hand still works the chord buttons, but from the opposite edge of the instrument, and the right hand still executes the strums, but now plays in the area above the chord bars. (See Joe Butler illustration, below.) This playing mode makes a wider area of the strings available to the picking hand, increasing the range of ...
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. [1]
The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.
Arched harp with a boat-shaped hollow body surrounded by a skin membrane, with ten soundholes and traversed and punctured by one or two sticks to which the string is attached; [5] [14] shovel harp: Ancient Egypt: 322.11 Shovel-shaped arched harp [10] vina: Ancient India: 322.11 Arched harp (vina now refers to a stick zither, 311.222) [15] Yazh ...
The instrument connects to an amplifier like an electric guitar. The playing technique is similar to that of the kora: the player plucks the strings with the thumb and index finger of each hand. Because each hand can play "with" or "against" each other, simple techniques can produce music of great rhythmic complexity.
Manzer was a folk singer in high school and played guitar. Her career began when she wanted a dulcimer, but she couldn't afford to buy one, so she built one from a kit. She attended two art colleges, where she studied painting. For the craft of making flattop guitars she studied with Jean Larrivée from 1974 to 1978.
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