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Surf's Up is a 2007 American animated mockumentary comedy film produced by Columbia Pictures and Sony Pictures Animation, and distributed by Sony Pictures Releasing.It was directed by Ash Brannon and Chris Buck from a screenplay they co-wrote with Don Rhymer and producer Chris Jenkins, based on a story by Jenkins and Christian Darren.
Surf's Up 2: WaveMania is a 2017 animated comedy film directed by Henry Yu. It is the sequel to the 2007 film Surf's Up. Produced by Sony Pictures Animation and WWE Studios with animation from Mainframe Studios, the film received a direct-to-video release on January 17, 2017, on DVD and digital media. [1] The reception to the sequel was mostly ...
Surf's Up, a 1971 album by The Beach Boys "Surf's Up" (song), the album's title track; Surf's Up, a 2007 animated film Surf's Up, a video game based on the 2007 film "Surf's Up", a 1981 song by Jim Steinman, sung in 1984 by Meat Loaf; Surf's Up!, the second album by David Thomas and Two Pale Boys "Surf's Up!", a 1995 single by Warren DeMartini
It is included on the soundtrack [1] to Surf's Up, released on June 5, 2007. The song is played at the end of the movie when the credits roll. The song relates Hill's love for music and Big Z's from Surf's Up passion for surfing. She sang, wrote, and produced the song using a more Hawaii/surfing feel to go along with movie.
[citation needed] He was nominated for an Oscar in 2007 on Surf's Up. [citation needed] Brannon joined Riot Games in 2016 to help craft the storyline for its animated series Arcane. Additionally he served as a co-executive producer and writer on Season One. Brannon, along with the show's creative team, won an Emmy for Outstanding Animated Program.
"The conditions are insane right now," Luke Shepardson, the 2023 champion, told the World Surf League between his heats. "There’s monsters coming in right now. The last couple sets were treacherous.
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Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise.It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967.