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Catherine's character has been criticized for representing an idyllic "normal life" for Frank, instead of being a developed character in her own right; The A.V. Club's Emily VanDerWerff called her "more symbol than character" [17] and "a weak enough character to become a passenger in her own story". [18]
Millenarianism or millenarism (from Latin millenarius 'containing a thousand' and -ism) is the belief by a religious, social, or political group or movement in a coming fundamental transformation of society, after which "all things will be changed". [1]
Millennialism (from Latin mille 'thousand' annus 'year' and -ism) or chiliasm (from the Greek equivalent) is a belief which is held by some religious denominations. ...
A unit of analysis in ideological criticism, or what Sonja Foss calls "traces of ideology in an artifact," is the ideograph. It is a symbol representing an ideological concept and is more than what the symbol itself depicts.
For example, Rose Rosengard Subotnik's Deconstructive Variations (subtitled Music and Reason in Western Society) compares Mozart's Die Zauberflöte (1791) using the Enlightenment and Romantic perspectives and concludes that the work is "an ideal musical representation of the Enlightenment."
The Thinker figurine is made of fired clay and depicts a person seated with their chin resting on one hand, suggesting deep contemplation. The figurine is 4.5 inches (11 cm) tall. [ 8 ] This posture unmistakably conveys a meditative disposition, which led to its name, The Thinker , [ 9 ] drawing inspiration from Rodin 's renowned sculpture of a ...
Moore, citing Bernard Williams's criteria for a great thinker, ranks Deleuze among the "greatest philosophers". [4] Although he once characterized himself as a "pure metaphysician ", [ 5 ] his work has influenced a variety of disciplines across the humanities, including philosophy, art, and literary theory, as well as movements such as post ...
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment.