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The hymn was a last minute addition to the first church hymnal, Collection of Sacred Hymns published in Kirtland, Ohio, 1835 or 1836. [9] It appears as the last song (hymn 90) and in a different typeset than the rest of the hymnal. This original version had six stanzas. [10]
Pat Boone - included in his album Hymns We Love (1957). [9] Rosemary Clooney - for her album Hymns from the Heart (1958). [10] Daniel Johnston - for his album 1990 (1990) The Martins - in their CD album An A Cappella Hymn Collection (1997) Amy Grant recorded a version of the song which appears on her 2002 studio album Legacy...
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
Ubi caritas" is a hymn of the Western Church, long used as one of the antiphons for the washing of feet on Maundy Thursday. Its text is attributed to Paulinus of Aquileia in 796. The traditional melody probably also stems from the late 8th century.
Hymns by Johnny Cash is the third studio album and first gospel album by American singer Johnny Cash.The album was produced in 1958 and released in 1959. An alternate version of the song It was Jesus was an added bonus track after the album was re-issued in 2002.
Well for me that I have Jesus, O how tightly I hold him that he might refresh my heart, when I'm sick and sad. Jesus I have, who loves me and gives himself to me, ah, therefore I will not leave Jesus, even when my heart breaks. —from BWV 147, chorale movement no. 6 Jesus remains my joy, my heart's consolation and sap, Jesus fends off all ...
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
The hymn was first translated into English in 1752 by John Gambold (1711–1771), an Anglican vicar in Oxfordshire. His translation begins, "O Head so full of bruises". In 1830 a new translation of the hymn was made by an American Presbyterian minister, James Waddel Alexander (1804–1859). Alexander's translation, beginning "O sacred head, now ...
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