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A floral diagram is a graphic representation of the structure of a flower. It shows the number of floral organs, their arrangement and fusion. Different parts of the flower are represented by their respective symbols. Floral diagrams are useful for flower identification or can help in understanding angiosperm evolution.
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
A crease pattern (commonly referred to as a CP) [1] is an origami diagram that consists of all or most of the creases in the final model, rendered into one image. This is useful for diagramming complex and super-complex models, where the model is often not simple enough to diagram efficiently.
Origami tessellation is a branch that has grown in popularity after 2000. A tessellation is a collection of figures filling a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect molecules such as twist folds together in a repeating fashion.
Origami Ornaments: The Ultimate Kusudama Book Lew Rozelle, St. Martin's Griffin, 2000 ISBN 978-0-312-26369-0; Origami Flower Ball (Origami Hana Kusudama) (in Japanese) Yoshihide Momotani, Ishizue Publishers, 1994, ISBN 978-4-900747-02-9; Marvelous Modular Origami Meenakshi Mukerji, A K Peters. 2007, ISBN 978-1-56881-316-5
The Miura fold is a form of rigid origami, meaning that the fold can be carried out by a continuous motion in which, at each step, each parallelogram is completely flat. This property allows it to be used to fold surfaces made of rigid materials, making it distinct from the Kresling fold and Yoshimura fold which cannot be rigidly folded and ...
In 1954, his first monograph, Atarashii Origami Geijutsu (New Origami Art) was published. In this work, he established the Yoshizawa–Randlett system of notation for origami folds (a system of symbols, arrows and diagrams [3]), which has become the standard for most paperfolders. The publishing of this book helped Yoshizawa out of his poverty.
The work of 20th-century Japanese paper artist Akira Yoshizawa widely popularized the Japanese word origami; however, in China and other Chinese-speaking areas, the art is referred to by the Chinese name, zhezhi. Traditional Chinese paper folding concentrates mainly on objects like boats or hats rather than the animals and flowers of Japanese ...
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