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Simba is a fictional character in Disney's The Lion King franchise. First appearing as a lion cub in The Lion King (1994), the character flees his homeland when his father, King Mufasa, is murdered by his treacherous uncle, Scar, who also guilts Simba into believing he is responsible for Mufasa's death.
Nala (voiced by Moira Kelly in the films with Sally Dworsky providing her singing voice in The Lion King; Niketa Calame as a cub in The Lion King with Laura Williams providing her cub form's singing voice; Gabrielle Union in The Lion Guard; Beyoncé in the 2019 film and Mufasa: The Lion King and Shahadi Wright Joseph as a cub in the 2019 film) is Sarafina's daughter, Simba’s best friend and ...
Jonathan Taylor Thomas (né Weiss; born September 8, 1981) [1] is an American actor and director. He is known for portraying Randy Taylor on Home Improvement and voicing young Simba in Disney's 1994 animated feature film The Lion King and Pinocchio in New Line Cinema's 1996 film The Adventures of Pinocchio.
Broadway actor Clifton Oliver, best known for playing Simba in ‘The Lion King,” has died at 47. The actor died early Wednesday morning, according to his sister Roxy Hall.
After rescuing Simba, Mufasa is swept into the stampede and struggles to escape. Reaching for Scar's help at the gorge's edge, Mufasa is betrayed as Scar claws his paws and pushes him to his death. [5] [6] [4] [7] Scar manipulates Simba into believing he is responsible for Mufasa's death, [8] prompting the guilt-ridden cub to flee the Pride Lands.
Broadway actor Clifton Oliver, best known for playing Simba in "The Lion King," has died at 47.
Jonathan Taylor Thomas voiced young Simba, while Jason Weaver provided the cub's singing voice and Evan Saucedo also provided the cub's singing voice in "The Morning Report", a newly animated song which was added to the 2003 DVD Special Edition of The Lion King. [5] Jeremy Irons as Scar, Mufasa's younger brother and rival who seizes the throne.
The Cavalier Daily also compared the song to those from The Little Mermaid, [5] and Popdust compared it to Billy Joel's "River of Dreams". [3] The New York Times Theater Reviews 1997–1998 felt that the song was "conventionally comic and upbeat". [6] Lakeland Ledger wrote that it is a "dazzling Busby Berkeley-style dancefest" with a "Rockettes ...