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Gordon Roger Alexander Buchanan Parks (November 30, 1912 – March 7, 2006) was an American photographer, composer, author, poet, and filmmaker, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African Americans—and in glamour photography.
A Choice of Weapons: Inspired by Gordon Parks is a 2021 documentary film that follows the life of the photographer and filmmaker Gordon Parks. Its title derives from Parks’ 1967 autobiography. [2] [3] The film features Devin Allen, Jelani Cobb, Anderson Cooper, Ava DuVernay, Nelson George, Jamel Shabazz, Spike Lee, and LaToya Ruby Frazier. [4]
The re-release and exhibition of Gordon Parks’ “Born Black” bring new relevance to the famed photographer’s perspective on Black American […] The post ‘Born Black’: A new exhibition ...
Gordon Parks was an American photographer who, through a fellowship from the Rosenwald Fund, arrived in Washington D.C. in January 1942, where he gained employment at the Historical Section of the Farm Security Administration under the management of Roy Stryker.
Stunning black-and-white images from over 70 years ago show what life used to be like in one of Manhattan's most famous neighborhoods.
Gordon Parks (1912–2006), assigned by Life in 1963 to travel with Malcolm X and document the civil rights movement. [13] He was also involved with the movement on a personal level. In 1947, Gordon Parks documented Drs. Kenneth B. and Mamie Phipps Clark's "Doll Test", pictures that were published in Ebony that year.
A Great Day in Hip Hop is a black-and-white photograph of over 200 hip hop artists and producers in Harlem, New York, taken by photographer Gordon Parks on September 29, 1998. [1] It was commissioned by XXL magazine, as a homage to Art Kane's A Great Day in Harlem, photographed in 1958. [2]
Jim Alexander with Gordon Parks Clark College, Atlanta, GA 1988. Alexander met and became friends with documentary photographer Gordon Parks in 1968. Parks was influential in the direction of his photographic career. [9] "A photo can be taken to build, or it can be taken to destroy, and that decision rests in the hands of the photographer."
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