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An alternative rock and power pop song with a rap-influenced singing style, the lyrics of "Semi-Charmed Life" concern a crystal meth addiction and transition periods in one's life. "Semi-Charmed Life" was one of the first demos recorded for Third Eye Blind , in which it went through five iterations before the band settled on its final mix.
The central theme of Third Eye Blind is loss, with the album exploring subjects such as suicide, crystal methamphetamine addiction, and sexual abuse. [5] [6] "Semi-Charmed Life", an alternative rock song composed with a rap-influenced singing style, was one of the first songs recorded for the album.
Third Eye Blind is an American rock band formed in San Francisco, California, in 1993.After years of lineup changes in the early and mid-1990s, the songwriting duo of Stephan Jenkins and Kevin Cadogan signed the band's first major-label recording contract with Elektra Records in 1996.
It peaked at number 12, but only one single from the album ("Blinded") charted, and the album has not been certified. [2] [4] [6] In 2004, the band's record label ceased to exist. [3] They released the compilation album A Collection in 2006 and the extended play Red Star in 2008. In 2009, their fourth studio album, Ursa Major, was released.
"Graduate" is a song by American rock band Third Eye Blind from their eponymous debut studio album (1997). It was released to radio as the second single from the album in July 1997 by Elektra Records. Frontman Stephan Jenkins and guitarist Kevin Cadogan are credited as co-writers on the song. Production on the song was helmed by Jenkins and ...
"Losing a Whole Year" is a song by American rock band Third Eye Blind from their eponymous debut studio album (1997). Elektra Records released the song in Japan as the album's second single on December 15, 1997, and in the United States on February 23, 1998, as the fourth single from the album.
"How's It Going to Be" is an alternative rock song. [3] [4] According to the sheet music published at Musicnotes.com by Alfred Publishing, the song is written in the key of F major and is set in time signature of common time with a tempo of 78 beats per minute. [5] Jenkin's vocal range spans one octave, from C 4 to A 5. [5]
Then we got the tempo, and we got the recording of it, the base of it, done. I re-did my acoustics. I was in the middle of vocals when David Tickle showed up. I'd laid down three vocals. I was annoyed he showed up. We were already done with the frigging song. We comped the vocal and mixed it that night, and it made mastering the next day.