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Claude Lorrain mirror in shark skin case. A Claude glass (or black mirror) is a small mirror, slightly convex in shape, with its surface tinted a dark colour. Bound up like a pocket-book or in a carrying case, Claude glasses were used by artists, travelers and connoisseurs of landscape and landscape painting.
The Shape of Green: Aesthetics, Ecology, and Design is a 2012 non-fiction book by the American architect Lance Hosey. The first book dedicated to the relationships between sustainability and beauty, it outlines a set of principles for the aesthetics of sustainable design. It was first published on 1 June 2012 through Island Press.
Specialized glasses may be used for viewing specific visual information, for example, 3D glasses for 3D films (stereoscopy). Sometimes glasses are worn purely for fashion or aesthetic purposes. Even with glasses used for vision correction, a wide range of fashions are available, using plastic, metal, wire, and other materials for frames.
With white and black at each extreme of the scale, colors are arranged in a series according to the mathematical ratio between the proportions of light and darkness. Schopenhauer agreed with Goethe's claim that the eye tends toward a sum total that consists of a color plus its spectrum or afterimage. Schopenhauer arranged the colors so that the ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
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They use carefully balanced cyan (blue-green) acrylic lenses, which pass a minute percentage of red to improve skin tone perception. Simple red/blue glasses work well with black and white, but the blue filter is unsuitable for human skin in color. U.S. Patent No. 6,561,646 was issued to the inventor in 2003.
Black and White is a 1990 postmodern children's picture book by David Macaulay. Published by Houghton Mifflin Company , it received mixed reviews upon its release. It was the recipient of the Caldecott Medal for illustration in 1991.