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"The Night We Called It a Day" is a popular song and jazz standard. The music was written by Matt Dennis, the lyrics by Tom Adair.The song was published in 1941.. One early recording of the song is notable in that it was Frank Sinatra's first solo recording (Bluebird 11463 in 1942).
The Night We Called It a Day may refer to: "The Night We Called It a Day" (song), a popular song by Matt Dennis and Tom Adair; The Night We Called It a Day, a 2003 Australian movie about Frank Sinatra's trip to Australia; The Night We Called It a Day, the first album by Deepspace5; The reissue of the Frank Sinatra album Where Are You?
The Night We Called It a Day was the first song Frank Sinatra recorded in 1942. The film's title was changed in North America to All the Way , a song Sinatra recorded in 1957. Sinatra's singing voice for this film was provided by the Australian actor Tom Burlinson , who previously had recreated the vocals for a 1992 American television ...
In 1978, Sagan predicted that because of science fiction, "I know many young people who would, of course, be interested, but in no way astounded, were we to receive a message tomorrow from an extraterrestrial civilization". [2] In 1981, Simon & Schuster gave Sagan a $2 million advance on the novel. At the time, "the advance was the largest ever ...
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In this respect, James Light, in his book Violence, Dreams, and Dostoevsky: The Art of Nathanael West, suggests that The Day of the Locust falls in with a motif in West's fiction; the exposure of hopeful narratives in modern American culture as frauds. [13] As some critics point out, West's novel was a radical challenge to modernist literature.
Night is the first in a trilogy—Night, Dawn, Day—marking Wiesel's transition during and after the Holocaust from darkness to light, according to the Jewish tradition of beginning a new day at nightfall. "In Night," he said, "I wanted to show the end, the finality of the event. Everything came to an end—man, history, literature, religion, God.
Roy Orbison included a cover of the song on his popular and critically acclaimed 1963 album for Monument Records, In Dreams. More recently, Orbison's version was resurrected for the soundtrack to the 1998 film, You've Got Mail.