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By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. [1] 30-degree rule
A camera will also have exposure control via an iris aperture located on the lens. The righthand side of the camera is often referred to by camera assistants as "the dumb side" because it usually lacks indicators or readouts and access to the film threading, as well as lens markings on many lens models. Later equipment often had done much to ...
The Mitchell Camera Corporation was founded in 1919 by Henry Boeger and George Alfred Mitchell as the National Motion Picture Repair Co. Its first camera was designed and patented by John E. Leonard in 1917, and from 1920 on, was known as the Mitchell Standard Studio Camera.
The Motion Picture Patents Company (MPP) was the assignee of a number of patents covering motion picture projectors, including US Pat. No. 707,934, on a part of the mechanism used in motion picture Projectors to feed a film through the machine with a regular, uniform, and accurate movement. MPP granted to the Precision Machine Company (PMC) a ...
The Motion Picture Patents Company (MPPC, also known as the Edison Trust), founded in December 1908 and effectively terminated in 1915 after it lost a federal antitrust suit, was a trust of all the major US film companies and local foreign-branches (Edison, Biograph, Vitagraph, Essanay, Selig Polyscope, Lubin Manufacturing, Kalem Company, Star ...
Ilford specialises in B&W films and, until 2003, produced motion picture versions of their photographic films for 16mm and 35mm cameras. FP4plus; HP5plus (As used in Hollywood, 1960s) [34] [35] [36] Ilford Pan F Negative, ASA 25 Day, 20 Tungsten (B&W, 35mm & 16mm) Ilford FP3 Negative, ASA 80 Day, 64 Tungsten (B&W, 35mm & 16mm)
In cinematography, full frame refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm still camera. [1] Still cameras run the film horizontally behind the lens, whereas standard 35mm motion-picture cameras run the film vertically. Thus a 35mm still camera's image is significantly larger ...