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Soft Cell are an English synth-pop duo who came to prominence in the early 1980s. The duo consists of vocalist Marc Almond and instrumentalist David Ball . The band are primarily known for their 1981 hit version of " Tainted Love " and their platinum-selling debut album Non-Stop Erotic Cabaret .
"Care of Cell 44" is a single by the Zombies, released as the lead single from their album Odessey and Oracle in November 1967. It was featured on Pitchfork's "200 Best Songs of the 1960s" list, [4] and has been covered by modern artists including Elliott Smith and Of Montreal.
"Tainted Love" is a song composed by Ed Cobb, formerly of American group the Four Preps, which was originally recorded by Gloria Jones in 1964. [3] In 1981, the song attained worldwide fame after being covered and reworked by British synth-pop duo Soft Cell for their album Non-Stop Erotic Cabaret. The song has since been covered by numerous ...
"Torch" is a song by English synth-pop duo Soft Cell. It was released as a single in 1982, and in mid-June peaked at number two on the UK Singles Chart, [1] ranking 45 for the year. It also reached number 31 on the Hot Dance Club Play chart, [2] number 12 in the Netherlands [3] and number 6 in the Flemish Ultratop 50. [4]
The song was covered by English artist David Gray and released on his successful 1998 album White Ladder. It was the album's fifth proper and final single and reached #26 on the UK Singles Chart. [16] Gray's version, like his live performances, features additional lines at the end from the Van Morrison songs "Madame George" and "Into the Mystic ...
Cell Block Tango" is a song from the 1975 musical Chicago, with music composed by John Kander and lyrics written by Fred Ebb. ... The song has been covered, or ...
Song went on to share that she didn't get a cell phone until she was 16 years old. She did have a two-way pager that she bought at the urging of her Get a Clue costar, Lindsay Lohan , while they ...
"Riot in Cell Block #9" is a R&B song composed by Jerry Leiber and Mike Stoller in 1954. The song was first recorded by The Robins the same year. [1] That recording was one of the first R&B hits to use sound effects and employed a Muddy Waters stop-time riff as the instrumental backing.