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The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [ 1 ] [ 2 ] In Japanese culture, it is believed that its wings carry souls up to paradise, [ 2 ] and it is a representation of the Japanese red-crowned crane , referred to as the ...
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
An old phrase says "cranes live a thousand years". Here "a thousand" is not necessarily to designate the exact number, but a poetic expression of huge amounts. Historically well-wishers offered a picture of a crane to shrines and temples as well as paper cranes. Origami, specially crafted and patterned paper, was invented in Edo period.
Origami paper weighs slightly less than copy paper, making it suitable for a wider range of models. Normal copy paper with weights of 70–90 g/m 2 (19–24 lb) can be used for simple folds, such as the crane and waterbomb. Heavier weight papers of 100 g/m 2 (approx. 25 lb) or more can be wet-folded. This technique allows for a more rounded ...
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Sadako and the Thousand Paper Cranes is a children's historical novel written by Canadian-American author Eleanor Coerr and published in 1977.It is based on the true story of Sadako Sasaki, a victim of the atomic bombing of Hiroshima, Japan, in World War II, who set out to create a thousand origami cranes when dying of leukemia from radiation caused by the bomb.
This category is for origami, the Japanese art of paper folding. Other paper folding arts and mathematical aspects of paper folding are in Category:Paper folding . Subcategories
Maying Soong's 1948 book, The Art of Chinese Paper Folding, helped popularise recreational paper folding in the 20th century, and was possibly the first to distinguish the difference between Chinese versus Japanese paper folding – where the Chinese focus primarily on inanimate objects, such as boats or pagoda, the Japanese include representations of living forms, such as the crane. [4]
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