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The closing Passacaglia in G minor uses a bass pattern which is the same as that of the first line of a hymn to the Guardian Angel. [3] Biber’s skill in patterned variation is “surpassed only by the solo violin sonatas of Bach.” [8]
C. 102 – Sonata, for violin & continuo No. 13 in D minor, (The Descent of the Holy Ghost) C. 103 – Sonata, for violin & continuo No. 14 in D major, (The Assumption of our Lady) C. 104 – Sonata, for violin & continuo No. 15 in C major, (The Crowning of the Blessed Virgin Mary) C. 105 – Passacaglia, for violin solo in G minor
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
Op. 1 No. 1 – Violin Sonata in A minor; Op. 1 No. 2 – Violin Sonata in C major; Op. 1 No. 3 – Violin Sonata in B flat major; Op. 1 No. 4 – Violin Sonata in D major; Op. 1 No. 5 – Violin Sonata in G major; Op. 1 No. 6 – Violin Sonata in E minor; Op. 1 No. 7 – Violin Sonata in F major; Op. 1 No. 8 – Violin Sonata in G major
Violin Sonata No. 1 in D minor, Op. 1; Violin Sonata No. 2 in D major, Op. 3; Violin Sonata No. 3 in A major, Op. 41; Violin Sonata No. 4 in C major, Op. 72 (gave rise to a scandal at its premiere with a work by Ludwig Thuille) Violin Sonata No. 5 in F-sharp minor, Op. 84; Violin Sonata No. 6 in D minor, Op. 103b/1; Violin Sonata No. 7 in A ...
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Sonata (No. 0) for solo violin (1929) -early work, no number-Sonata No. 1 for solo violin (1941) Sonata No. 2 for solo violin (1958) Four Caprices for Violin Solo; Polish Caprice (1949) Johann Sebastian Bach. 3 Sonatas and 3 Partitas, for solo violin: Sonata No. 1 in G minor, BWV 1001; Partita No. 1 in B minor, BWV 1002; Sonata No. 2 in A minor ...
The Violin Sonata No. 1 in G major, Op. 78, Regensonate, for violin and piano was composed by Johannes Brahms during the summers of 1878 and 1879 in Pörtschach am Wörthersee. It was first performed on 8 November 1879 in Bonn , by the husband and wife Robert Heckmann (violin) and Marie Heckmann-Hertig (piano).