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The Heart Is Deceitful Above All Things employs narrative elements and characterizations that also occur in Sarah, although it avoids the picaresque and fable-like qualities of the latter novel. Its stories are more violent, their situations more disturbing; but in Jeremiah's attempts to comprehend and redefine his mistreatment, the book shares ...
The Heart Is Deceitful Above All Things received mixed to negative reviews from critics. Review aggregator website Rotten Tomatoes reports a 40% rating based on 50 reviews. The site's consensus states: "The film aims to shock, but there is no higher reason for the parade of sordid images except to be 'cool'."
Fellow guitarist John Valentine Carruthers said that McKay "had no conventional skill in guitar playing, like chords or lines. He must have had hands like a gorilla because he was playing chords like this (stretches hand right out). I've no idea what they were, and you couldn't tell by listening because they were going through fuzz and flangers."
This came about partly from the similarity of the blues scale to modal scales and partly from the characteristics of the guitar and the use of parallel major chords on the pentatonic minor scale. With barre chords on guitar, the same chord shape can be moved up and down the neck without changing the fingering.
Desire is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records.It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year (later documented on The Bootleg Series Vol. 5).
Also known as "Follow Me Down" due to the use of the phrase, [4] it was the third single from the Doors' fourth album The Soft Parade. The song's instrumentation incorporates brass instruments and other orchestral instruments. [5] In the US, "Tell All the People" reached No. 57 on the Billboard Hot 100 charts and No. 33 on the Cash Box Top 100 ...
Unlike many other XTC songs, he instructed a specific bass part to Moulding: "Colin had to work very hard to get that bass line. It's very precise. It took me a long time to work it out, because I wanted to get into the J.S. Bach mode of each note being the perfect counterpoint to where the chords are and where the melody is. The bass is the ...
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.