Search results
Results from the WOW.Com Content Network
The award, which recognizes the contributions of Filipino writers, were given at UMPIL's (Unyon ng mga Manunulat sa Pilipinas) 34th National Congress on August 30 at the Government Securities and Insurance System Museum of the Cultural Center of the Philippines in Manila.
The 39th Don Carlos Palanca Memorial Awards for Literature was held to commemorate the memory of Don Carlos Palanca Sr. through an endeavor that would promote education and culture in the country. This year saw the inclusion of a new category, Short Story for Children/Maikling Kwentong Pambata, for both the English and Filipino Divisions. [1]
Chorus for America: Six Philippine Poets (1942) by Carlos Bulosan; Zoilo Galang's A Child of Sorrow (1921), the first Filipino novel in English, and Box of Ashes and Other Stories (1925), the first collection of stories in book form; Villa’s Footnote to Youth: Tales of the Philippines and Others (1933);
The English language used by Nick Joaquin became a medium to express his literary artistry and Filipino Patriotism. [11] Nick Joaquin was able to publish a large body of literary works during his time and through this, he has had great contribution to Philippine literature in English. [5]
Love Me Tomorrow is a 2016 Philippine romantic drama film starring Piolo Pascual, Dawn Zulueta and Coleen Garcia. It is directed by Gino M. Santos. It is directed by Gino M. Santos. It was released on May 25, 2016, and produced by Star Cinema .
After the split of Philippines from Spain, the United States became the replacement model for cultural enhancement, where English language and materialism became a part – as personified by the boarder Tony Javier – thus marginalizing native tongues and culture within the process. During this period, the Philippines was also plagued by the ...
The unnamed narrator witnesses the adversity of the Filipino peasants under the encomienda system during the Spanish colonial regime, as well as the resulting uprisings created by the peasants. However, the nameless storyteller is unable to free himself from his own position that carries cultural and economic benefits.
San Juan, Jr., in “Carlos Bulosan, Filipino Writer-Activist”, states, “American administrators, social scientist, intellectuals, and others made sense of Filipinos: we were (like American Indians) savages, half childish primitives, or innocuous animals that can be either civilized with rigorous tutelage or else slaughtered outright”. [11]