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Black Orpheus was "a journal of African and Afro-American literature" established in 1957 by university professor Ulli Beier. [5] It was produced in Ibadan, Nigeria, and was groundbreaking as the first African literary periodical in English, publishing poetry, art, fiction, literary criticism, and commentary. [6]
As George Joseph notes in his chapter on African Literature [3] in Understanding Contemporary Africa, whereas European views of literature stressed a separation of art and content, African awareness is inclusive and "literature" can also simply mean an artistic use of words for the sake of art alone. Traditionally, Africans do not radically ...
Brittle Paper publishes original content submitted by authors, as well as commissioned reviews, interviews, essays, and other literary work. Having grown into "a thriving community of readers and writers interested in everything about African literature", [12] the blog is regarded as a major publicity platform for new books by African writers.
Chinweizu's notable intervention on this theme came in the essay "The Decolonization of African Literature" (later expanded into the 1983 book Toward the Decolonization of African Literature), to which Soyinka responded in an essay entitled "Neo-Tarzanism: The Poetics of Pseudo-Transition". [3]
At the conference, several nationalist writers refused to acknowledge any literature written in non-African languages as being African literature. Ngũgĩ noted the irony of the conference's title, in that it excluded a great part of the population that did not write in English, while trying to define African literature but accepting that it must be in English. [10]
Wole Soyinka [a] (13 July 1934) is a Nigerian author, best known as a playwright and poet, who wrote prolifically. He wrote three novels, ten collections of short stories, seven poetry collection, twenty five plays and five memoirs.
The first conference entitled “The Woman as a Writer in Africa” was held at the University of Calabar auditorium in May 1981 and Ghanaian writer Ama Ata Aidoo was keynote speaker. The themes of 1982, namely "Literature in African Languages" and "Writing Books for Children", featured Ngũgĩ wa Thiong'o and Bessie Head as keynote speakers.
Several of the essays caution against generalizing all African people into a monolithic culture, or using Africa as a facile metaphor. [2] The opening essay, " An Image of Africa: Racism in Conrad's Heart of Darkness ", challenged the prevailing opinions in the west about Joseph Conrad 's depiction of African people. [ 3 ]
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