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Looking for ideas for a new subject, Adès saw Jonathan Kent's staging of Shakespeare's The Tempest at the Almeida Theatre in London in 2000. [7] For a new libretto, Adès turned to the experienced dramatist Meredith Oakes, whose work had included a short opera libretto for Miss Treat (2002); since the early 1990s, several original plays, translations and adaptations of classics and modern ...
EMI's recording of the Covent Garden performance of The Tempest won Adès the title of Composer of the Year in the 2010 Classical BRIT Awards. [23] The Metropolitan Opera, New York, included The Tempest in its 2012–13 season, conducted by Adès and produced by Robert Lepage. [24] [25] The same production was seen in Vienna in the summer of 2015.
Opera: 2003: The Tempest: for soloists, chorus and orchestra: libretto by Meredith Oakes based on the play by William Shakespeare; in 3 acts Orchestral: 2004: Overture to The Tempest: for orchestra: Vocal: 2004: Scenes from The Tempest: for Soloists and orchestra: Concertante: 2005: Violin Concerto: for violin and chamber orchestra: subtitled ...
During the 2005–2006 season he played plantation owner Edward Gaines in the opera, Margaret Garner, at Opera Philadelphia, Cincinnati Opera, and Michigan Opera Theatre. During August 2006 he portrayed Prospero in Thomas Ades ' The Tempest with the Santa Fe Opera , one of the few rôles in new opera that he did not originate.
He was the first Ferdinand in Thomas Adès' opera The Tempest at Covent Garden, and reprised the role in the work's American premiere production at Santa Fe Opera. He has since performed the role of Antonio in the same opera. [6] Following The Tempest he has been invited back regularly to Covent Garden in operas by Rossini, Janáček and Wagner ...
Traced Overhead is a composition for piano by the British composer Thomas Adès. The work was commissioned by the pianist Imogen Cooper and the Cheltenham Music Festival with additional funding from Arts Council England. Its world premiere was given at the Cheltenham Music Festival on July 20, 1996 by Imogen Cooper.
If you've ever been home during the day and decided to watch TV, you've probably seen a soap opera episode or two. The scandal-packed, climactic-filled dramas gained popularity in the 1950s and ...
He created the tenor roles in Thomas Adès first opera Powder Her Face, which was released on EMI Classics and nominated for a Grammy (Best Opera Recording 2000). Morris was a founding member of the Irish singing group " The Celtic Tenors " who won the German Echo Klassik Award for Best Classical Crossover Artists in 2002.