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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
Some Buddha statues also depict the related Dharmachakra Mudrā, a hand sign depicting the turning of the Dharma wheel. A very similar wheel symbol also appears in the flag of the Romani people, hinting to their nomadic history. In non-Buddhist cultural contexts, an eight-spoked wheel resembles a traditional ship's wheel.
The Mahāvastu (Sanskrit for "Great Event" or "Great Story") is a canonical text of the Mahāsāṃghika Lokottaravāda school of Early Buddhism which was originally part of the school's Vinaya pitaka. [1] [2] The Mahāvastu is a composite multi-life hagiography of the Buddha Shakyamuni. Its numerous textual layers are held by scholars to have ...
The Buddhist Text Translation Society; SuttaCentral Public domain translations in multiple languages from the Pali Tipitaka as well as other collections, focusing on Early Buddhist Texts. Pali Canon in English translation (incomplete). Bibliography of Translations from the Chinese Buddhist Canon; Buddhist Canonical Text Titles and Translations ...
The Buddha says that the merits of teaching the sutra is immeasurable and that any place where it is being taught or copied is a holy place. [44] Chapter 22: Entrustment. The Buddha transmits the Lotus Sūtra to all bodhisattvas in his congregation and entrusts them with its safekeeping and its propagation far and wide.
In this text, the mantra is seen as the condensed form of all Buddhist teachings. [3] The precise meaning and significance of the words remain much discussed by Buddhist scholars. The literal meaning in English has been expressed as "praise to the jewel in the lotus", [4] or as a declarative aspiration, possibly meaning "I in the jewel-lotus". [5]
In Buddhism, these eight symbols of good fortune represent the offerings made by the gods to Shakyamuni Buddha immediately after he gained enlightenment. [1] Tibetan Buddhists make use of a particular set of eight auspicious symbols, ashtamangala, in household and public art. Some common interpretations are given along with each symbol although ...
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain