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The Double Doink was a game-ending field goal attempt by Chicago Bears kicker Cody Parkey in the National Football League (NFL)'s 2018 NFC Wild Card game.Parkey's failed 43-yard field goal attempt against the Philadelphia Eagles was partially blocked by Eagles defensive lineman Treyvon Hester, hit the left upright, then bounced off the crossbar, and finally fell back out onto the goal line ...
Urlinie in relation to the tonic triad. The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure (), "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3]
Since Bach's time, several transcriptions of the piece have been made for other instruments, particularly for the piano (including those by Ferruccio Busoni, Alexander Siloti, Joachim Raff, and Rudolf Lutz), and for the piano left-hand (by Johannes Brahms, [7] Paul Wittgenstein, and Géza Zichy).
The music for the most part consists of driving organ-patterned drone-like rock; seamless psychedelic cosmic musical textures with intricate musicianship and musical variety; hard, driving rock similar to Amon Düül II; and jamming that occasionally invokes the interplay and styles of Garcia, Weir and Lesh of The Grateful Dead and hints at a ...
From 1980 to 1994, Lutz edited the now defunct Quarterly Review of Doublespeak. [3] [4] He worked as a consultant with a number of corporations and the United States government to promote the use of 'plain language'. For example, he was a significant contributor to the SEC's Plain English Handbook. [5]
Further examination of the "double-doink" shows the Eagles’ Treyvon Hester got a hand on the botched 43-yard field goal attempt.
In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red). The tenor voice sings G ♯ while the bass sings G ♮ momentarily beneath it, producing the clash of an augmented unison. Ex. 2, typical example of a false relation in the Late Baroque Style. Play ⓘ
Randy Gurule** is a contemporary steganographer and musical speculativist known for blending cryptographic methods with music composition. His work draws on the medieval tradition of **Musica Speculativa**, which explored the philosophical, mathematical, and symbolic aspects of music as a reflection of the cosmos and human existence.