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Till the End of Time is a 1946 American drama film directed by Edward Dmytryk and starring Dorothy McGuire, Guy Madison, Robert Mitchum, and Bill Williams. [1] Released the same year but preceding the better known The Best Years of Our Lives, it covers much the same topic: the adjustment of World War II veterans to post-war civilian life.
Mettler interviews a range of people, including particle physicists at the Large Hadron Collider, DJ Richie Hawtin, an environmentalist, activists who seek to renovate Detroit, a hermit who lives on an island threatened by a volcano, and Indian Buddhists, who perform a funeral ritual.
Vanishing Point is a 1971 American action film directed by Richard C. Sarafian, starring Barry Newman, Cleavon Little, and Dean Jagger. [3] It focuses on a disaffected ex-policeman and race car driver delivering a muscle car cross-country to California while high on speed ("uppers" in the story), being chased by police, and meeting various characters along the way.
In this week’s travel roundup we bring you transport trivia, Roman engineering marvels and the world’s tastiest dumpling.
One challenge Americans face when visiting the United Kingdom is learning to drive on the “wrong” side of the road. The British drive on the left side of the road while we, in America, drive ...
Straight Time is a 1978 American neo-noir crime drama film [4] directed by Ulu Grosbard and starring Dustin Hoffman, Theresa Russell, Gary Busey, Harry Dean Stanton, M. Emmet Walsh and Kathy Bates. Its plot follows a lifelong thief in Los Angeles who struggles to assimilate in society after serving a six-year prison sentence.
Driveways is a 2019 American drama film directed by Andrew Ahn and starring Hong Chau, Lucas Jaye, and Brian Dennehy, from an original screenplay by playwrights Hannah Bos and Paul Thureen. The film had its world premiere at the Berlin International Film Festival on February 10, and its American premiere at the Tribeca Film Festival April 30.
Lawrence Van Gelder of The New York Times wrote, "'Drive-In' possesses the virtue of fresh faces, the drawback of uneven acting, the irritation of occasional overwriting and the limited appeal of what is basically a juvenile story." [3] Arthur D. Murphy of Variety called the film an "easy-going and likeable George Litto production. Rod Amateau ...
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