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"How Many Times Can We Say Goodbye" is a 1983 song by Dionne Warwick and Luther Vandross. The ballad was issued as the lead single of Warwick's album How Many Times Can We Say Goodbye , later appearing on Vandross' album Busy Body , both of which were released in 1983.
"I'll Let You Slide" is a song by American recording artist Luther Vandross. The song is from his third studio album Busy Body . Released in 1983, the single reached No. 9 on the Billboard Hot R&B Singles chart.
Rigmor Gustafsson with Jacky Terrasson on Close to You (2004) [12] Beyoncé and Stevie Wonder on So Amazing: An All-Star Tribute to Luther Vandross (2005) [13] Patti Austin on Forever, for Always, for Luther Volume II (2008) [14] Marti Pellow on Love to Love (2011) [15] Ruben Studdard on Ruben Sings Luther (2018) [16]
Busy Body is the third studio album by American R&B/soul singer-songwriter Luther Vandross, released on November 25, 1983.It hit the number one position on the US Billboard Top R&B/Hip-Hop Albums chart in the week of April 13, 1984 [5] and was certified Platinum by the RIAA in January 1985.
Joe Pizzulo (born June 15, 1951) is an American vocalist best known as one of the lead singers on 1980s hit singles credited to Sérgio Mendes, including "Never Gonna Let You Go" [1] (from Mendes' self-titled 1983 album) and "Alibis" (from the 1984 album Confetti).
Chapter 2: The Voice is the third studio album by American singer Syleena Johnson.It was released by Jive Records on November 26, 2002 in the United States. While Johnson reteamed with R. Kelly and Joel Kipnis to work on the album, Chapter 2 includes a diverse roster of collaborators including Hi-Tek, Dwayne Bastiany, Mike Dunn and Scorpio as well as duo Carvin & Ivan who contributed four songs.
A five-time All-Star and two-time Gold Glove shortstop, Tulowitzki played against Betts plenty near the end of his 13-year career, overlapping with the start of Betts’ rise to stardom with the ...
Another version of the song, by Brook Benton, which was the version that appeared in the film, was released at nearly the same time. It debuted two weeks earlier on the Billboard Hot 100. Benton's version split airplay with Warwick's, and ultimately peaked at #75.