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The students were then asked which notation was easier to play). Students named the letter names of the notes in two 7-note melodies. [2] The results of this study are as follows: Subjects in the experimental and control groups performed much the same on the task of playing music from memory. For the task of sight-reading, the experimental ...
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Disneyland Records released an LP record of the poems set to music. This was the first title for the newly created Disney record label. Gwyn Conger wrote the music, which was performed by Francis Archer and Beverly Gile. [4] The Italian composer Carlo Deri composed, in 2005, a song for voice and piano, The Unseen Playmate, on Stevenson's poem.
In religious music, the verse anthem is a type of choral music, or song, distinct from the motet or 'full' anthem (i.e. for full choir). [ 1 ] [ 2 ] In the 'verse' anthem the music alternates between sections for a solo voice or voices (called the 'verse') and the full choir.
The pages of a book are printed two at a time, not as one complete book. Excess numbers are printed to make up for any spoilage due to make-readies or test pages to assure final print quality. A make-ready is the preparatory work carried out by the pressmen to get the printing press up to the required quality of impression. Included in make ...
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna ", " The Daring Young Man on the Flying Trapeze ", and many others. [ 1 ] [ 2 ] It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days.
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It is indicated by literally coloring the note-heads in the written music differently than their normal appearance. In the 14th and early 15th century, colored notes were typically marked in red while normal notes were black; in the 16th century, the same effect was achieved by filling the note-heads in black while normal notes were hollow.