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SLT (defined by Sony as "single-lens translucent") – similar in appearance to a DSLR, but featuring a fixed semi-reflective mirror. All cameras employing this technology have had two-digit model numbers, with model designations of the form "SLT-A##" or "ILCA-##". Like DSLRs, they all feature Sony's A-mount.
The first Cyber-shot was introduced in 1996. Sony's market share of the digital camera market fell from a high of 20% to 9% by 2005. [117] [42] Sony entered the market for digital single-lens reflex cameras in 2006 when it acquired the camera business of Konica Minolta. Sony rebranded the company's line of cameras as its Alpha line.
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Sony released the following E-mount cameras since 2010. The E stands for the Eighteen mm flange distances of the E-mount cameras. Depending on type and model E-mount cameras are part of the Sony α, SmartShot, Handycam, NXCAM or XDCAM systems. List of Sony E-mount cameras:
The decoder inside the UK-sold Sony color Trinitron sets, from the KV-1300UB to the KV-1330UB, had an NTSC decoder adapted for PAL. The decoder used a 64 microsecond delay line to store every other line, but instead of using the delay line to average out the phase of the current line and the previous line, it simply repeated the same line twice.
The KV-25XBR, circa 1985, is a 25" CRT monitor that shipped with two external 2-way speakers that could hang on the sides of the TV. It features a 4:3 aspect ratio and standard definition. KV-36XBR series (1990s to early 2000s) - 4:3 CRT with more than standard definition but less than high definition resolution, also available in 32" and 40 ...
Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
In June 1999, George Lucas announced that Episode II of the Star Wars Prequel Trilogy would be the first major motion picture to be shot 100% digitally. Sony and Panavision had teamed up to develop the High Definition 24p camera that Lucas would use to accomplish this, and thus the first CineAlta camera was born: the Sony HDW-F900 (also called the Panavision HD-900F after being "panavised").
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