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"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, [3] would provide fertile ground for ...
European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco jazz: Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s ...
The following is a list of jazz-influenced classical compositions.Classical music has often incorporated elements or material from popular music of the composer's time. Jazz has influenced classical music, particularly early and mid-20th-century composers, including Maurice Rav
Len Lyons depicts Lewis's piano, composition and personal style when he introduces Lewis in Lyons' book The Great Jazz Pianists: "Sitting straight-backed, jaw rigid, presiding over the glistening white keyboard of the grand piano, John Lewis clearly brooks no nonsense in his playing, indulges in no improvisational frivolity, and exhibits no ...
After the Morning was released by the Canadian label Dominic Sciscente Music. [1] The Penguin Guide to Jazz identified the shorter pieces as highlights – "often little more than a theme statement and a brief, cadenza-like solo." [2] [note 1] The reviewers described the piano sound as "respectable for the time, but a bit cavernous." [2]
The Rolling Stone Jazz Record Guide called it "an inspired mixture of originals and standards", giving it five stars. [2]The AllMusic review by Scott Yanow stated: "For David Murray, this is a fairly straightforward quartet date.
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
The incubators of the format were specialty shows at night or on the weekends, in places such as Atlanta (WQXI-FM and WVEE-FM), Miami (WWWL-FM) and San Antonio (KTFM). The first jazz radio station to attempt to reach an audience beyond hardcore jazz fans full-time was New York's WRVR-FM, which was acquired by Sonderling Broadcasting in 1976.