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Candombe is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed candombe in its Representative List of the Intangible Cultural Heritage of Humanity .
The most distinctive music of Uruguay is to be found in the tango and candombe; both genres have been recognized by UNESCO as an Intangible Cultural Heritage of Humanity. . Uruguayan music includes a number of local musical forms such as murga, a form of musical theatre, and milonga, a folk guitar and song form deriving from Spanish and italian traditions and related to similar forms found in ...
According to milonga composer and one of the most famous payadores of his time, Gabino Ezeiza, the milonga derives from various African rhythms such as candombe, and Argentine milonga was particularly popular among Afro-Argentines in Buenos Aires at the turn of the 20th century. [4] [5]
In the mid-18th century, Afro-uruguayan enslaved people had one day off to celebrate their own culture and traditions to the rhythm of the drums of Candombe music. In fact, the term "Las Llamadas" (The Calls), which is a traditional carnival dance parade in Montevideo, comes from the call made by the Afro-uruguayan slaves when they wanted to ...
Candombe [citation needed] One of the most famous and well-known tango songs is La Cumparsita , [ 4 ] [ 5 ] written by Gerardo Matos Rodríguez in Montevideo in 1919. An annual week-long festival to mark the anniversary of La Cumparsita has taken place in Montevideo since 2007.
Music is not an exception, and within this, the folkloric music. Candombe was folklore until shortly after the fall of Rosas. It is still played in the present, in several of its versions (Afro-Porteño, Afro-Correntino, and so on); among them stands out the candombe porteño.
Music and dance are fundamental elements of Candomblé. [288] The drumming will often take place all night. [289] In the Nagô tradition, three main types of drum are employed, the largest being the rum, the middle-sized being the rumpi, and the smallest being the lé. [290] These drums are understood as living and need to be "fed". [291]
Distinctive elements added from candombe were "quebradas", improvised, jerky, semi-athletic contortions, the more dramatic the better, ironical elements like walking around the partner with exaggerated tiny steps or humorous jumps, and cortes, a suggestive pause, or sudden break in the figures of the dance.