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Genjer-Genjer is an Osing language folk song from East Java, Indonesia, written and composed by musician Muhammad Arief.The song was written as a description of the condition of the people of Banyuwangi during the Japanese occupation period.
120 Koleksi Lagu Wajib Nasional INDONESIA. Lembar Langit Indonesia. Sugesti, Murlina (2014). Koleksi Terlengkap Lagu Wajib Nasional. Lembar Langit Indonesia. ISBN 9780901388728. Abassy, Djamaludin (2011). Lagu-Lagu Wajib Nasional. Lembar Langit Indonesia. ISMN 9790801882011.
The Billboard Indonesia Top 100 was the standard record chart in Indonesia for Indonesian language and/or English-Indonesian language songs, compiled independently in collaboration with ASIRI, with Andhika Septian as the head of this project who also developed its data scoring methodology, published weekly by Billboard Indonesia.
"Bengawan Solo" (lit. "Solo River") is an Indonesian song written by Gesang Martohartono in 1940. The song is a description of the longest river in Java, Solo River.The song became popular in Indonesia during the Second World War and was one of the songs promoted nationally in the newly-independent country after the war.
Dangdut has become "contemporary folk music" in Indonesia. Its popularity surpasses those of other music genres: [1] [2] people love to sing its songs with karaoke, both for themselves and during family celebrations, employees in central government offices exercise to its music before starting work, and so on. Political party campaign stages ...
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Karaoke Joysound (カラオケJOYSOUND) is a karaoke service and online song library from Japanese karaoke service provider Xing. The Joysound service, which started on various karaoke computers, was adapted into a video game by Hudson Soft for Wii, licensing the Joysound online song library alongside Xing, who also helped co-develop the game with Hudson.
Rayuan Pulau Kelapa (Solace on Coconut Island) is an Indonesian song written by Ismail Marzuki (1914-1958), who wrote a number of popular tunes in the country's early post-independence period. The lyrics praise Indonesia's natural beauty, such as its floral-related double entendres, islands and beaches, and profess undying love for the country.