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Digital Negative (DNG) is an open, lossless raw image format developed by Adobe and used for digital photography.It was launched on September 27, 2004. [1] The launch was accompanied by the first version of the DNG specification, [2] plus various products, including a free-of-charge DNG converter utility.
There have been a great number of anamorphic format trade names, for reasons of prestige, technology, or vanity. The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the ...
Digital Picture Exchange (DPX) is a common file format for digital intermediate and visual effects work and is a SMPTE standard (ST 268-1:2014). The file format is most commonly used to represent the density of each colour channel of a scanned negative film in an uncompressed "logarithmic" image where the gamma of the original camera negative is preserved as taken by a film scanner.
A format designed by the Joint Photographic Experts Group, that allows files of coloured images to be compressed to a smaller digital file than if the full range of colours were to be saved. Also .JPG as a computer file extension. [8] LBA: Lens buying addiction. Usually used in a jocular sense on camera forums, about a wish to add to an already ...
The time taken in the image workflow is an important factor when choosing between raw and ready-to-use image formats. With modern photo editing software the additional time needed to process raw images has been greatly reduced but it still requires an extra step in workflow in comparison with using out-of-camera JPEGs.
The program is a command line tool which takes a list of raw image files to process, along with any image adjustment options desired. dcraw also serves as the basis for various high-level raw image-processing applications (such as viewers and converters), both free and open source software as well as proprietary software.
The primary reason there were so many different negative formats in the early days was that prints were made by contact, without use of an enlarger. The film format would thus be exactly the same as the size of the print—so if you wanted large prints, you would have to use a large camera and corresponding film format.
Silent film has no standard speed; many amateur formats have several common speeds, but no standard. Negative lenses indicates whether spherical (normal) or anamorphic lenses are used on the original camera negative, and if anamorphic lenses, what anamorphic power is used. Projection gauge is the film gauge (width) used for the release print.