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The Harmony Codex digital deluxe edition bonus tracks [14]; No. Title Length; 11. "What Life Brings" (Aug 22 mix by Roland Orzabal) 4:16: 12. "Time Is Running Out" (Mikael Åkerfeldt version)
A harmonic motif is a series of chords defined in the abstract, that is, without reference to melody or rhythm. A melodic motif is a melodic formula , established without reference to intervals . A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody.
Elementa harmonica (Ἁρμονικὰ στοιχεῖα in Greek; Elements of Harmonics in English) is a treatise on the subject of musical scales by Aristoxenus, of which considerable amounts are extant.
With Skydancer, Dark Tranquillity aimed to write a death metal album that incorporated melody and counterpoint, as well as complex song structures.The songs are heavily dense with “20+ riffs that never are repeated in the same way” according to Sundin, and feature elements unusual for a death metal album such as clean vocal and acoustic guitar sections.
Aristoxenus was born at Tarentum (in modern-day Apulia, southern Italy) in Magna Graecia, and was the son of a learned musician named Spintharus (otherwise Mnesias). [2] He learned music from his father, and having then been instructed by Lamprus of Erythrae and Xenophilus the Pythagorean, he finally became a pupil of Aristotle, [3] whom he appears to have rivaled in the variety of his studies.
Sympathetic resonance or sympathetic vibration is a harmonic phenomenon wherein a passive string or vibratory body responds to external vibrations to which it has a harmonic likeness. [1] The classic example is demonstrated with two similarly-tuned tuning forks. When one fork is struck and held near the other, vibrations are induced in the ...
The Strongbox" (1998 TV episode), the 170th episode of Seinfeld The Strongbox Chronicles , a book written as Cate Dermody by C. E. Murphy Computing and technology
Papyrus 137 (designated as 𝔓 137 in the Gregory-Aland numbering system) is a late 2nd or early 3rd century fragment of the first chapter of the Gospel of Mark (verses 7–9 on the recto side and 16–18 on the verso side.) The fragment is from a codex and has been published in the Oxyrhynchus papyrus series as P.Oxy. LXXXIII 5345. [1]